Born in Paris in 1998, Agathe Calmanovic-Plescoff began photography during her first year in art section at the Atelier de Sèvres. She practiced many different techniques and photography was an obvious choice.

She then naturally began to develop a personal and singular work.

During her year at the Atelier de Sèvres she discovered and explored the world of photography. Captivated, she followed a photography course at the BTS Auguste Renoir in Paris and then at the ENS Louis Lumière from which she graduated in 2022.

She is particularly fond of old photography. She integrates it into contemporary compositions by assemblies, superimpositions and projection.

« Projection is a way of communicating the two-dimensional space of the photograph with the physical space in three dimensions ».

In her works, the old is the source of her creation and gives birth to a unique contemporary work.

Agathe’s photographic style is strong and is defined by her willingness to question and make the photographs communicate not only physically, but temporally, with each other.« I question identity and the relationship to the past and to the images we keep of ourselves and our family ».

She practices her art in a plural way. In order to make the past and present interact, she uses photography as well as linocuts, embroidery, knitting and modeling.

For the photographer, the goal of her work is « to offer an assessment of the era as well as a spiritual trace of the present society, far from the factual archive ».

Born in Paris in 1998, Agathe Calmanovic-Plescoff began photography during her first year in art section at the Atelier de Sèvres. She practiced many different techniques and photography was an obvious choice.

She then naturally began to develop a personal and singular work.

During her year at the Atelier de Sèvres she discovered and explored the world of photography. Captivated, she followed a photography course at the BTS Auguste Renoir in Paris and then at the ENS Louis Lumière from which she graduated in 2022.

She is particularly fond of old photography. She integrates it into contemporary compositions by assemblies, superimpositions and projection.

« Projection is a way of communicating the two-dimensional space of the photograph with the physical space in three dimensions ».

In her works, the old is the source of her creation and gives birth to a unique contemporary work.

Agathe’s photographic style is strong and is defined by her willingness to question and make the photographs communicate not only physically, but temporally, with each other.« I question identity and the relationship to the past and to the images we keep of ourselves and our family ».

She practices her art in a plural way. In order to make the past and present interact, she uses photography as well as linocuts, embroidery, knitting and modeling.

For the photographer, the goal of her work is « to offer an assessment of the era as well as a spiritual trace of the present society, far from the factual archive ».